摘要
峡江号子依赖木船、险滩和纤工船工而存在,三个元素缺一不可。峡江号子是纤夫船工生命极限上的呐喊,是他们对生命这个最本质的欲望欠缺所产生的诉求和极度热爱。在艺术气质上,峡江号子与主流文化意识始终保持着隔膜和分离,这是民间智慧对应的直觉智慧及其艺术方式所决定的。而其强烈的野性美、原始的活性美和摧枯拉朽的力量美,呈示出独具一格的魅力,是其它文化艺术所难能企及的。
River work chants depend on the three elements ——boat, rapids and＇ boatman. As far as the art is concerned, river work chants are alienated from mainstream culture, which is determined by intuitive wisdom in folk art. However, its beauty of wildness, vitality and the beauty of power show its uniqueness.
出处
《中南民族大学学报（人文社会科学版）》
CSSCI
北大核心
2008年第1期159-163,共5页
Journal of South-Central Minzu University (Humanities and Social Sciences)
