摘要
在元代工艺美术制作中,朱碧山的银槎杯属非主流作品,其艺术风格迥异于元统治阶层导向的豪迈、刚劲、追求金银富丽效果的审美取向。一般而言,一定的造物必传达一定的造物思想,所谓"器"道之所寓,"道"器之所倚。龙槎杯以一种繁复与简素共现、旋动与流畅相间、充满程式化意味的造型语言,承载着元代文人士子以淡泊、离俗、雅致为精神内涵的"文人趣味",营造出一个高古、飘逸、超逸、退隐的视觉和精神世界。
Longcha cup has a strong flavor in its artistic presentations that are both complicated and simple, both vortical and flowing, full of stylized sculpting language, carrying bookmen＇s gusto in the Yuan dynasty with the refined spiritual connotation free from vulgarity and not seeking fame and wealth. It creates a-visual and psychic effect of antiquity, natural grace and loneness.
出处
《江西科技师范学院学报》
2007年第6期108-110,共3页
Journal of Nanchang Vocational & Technical Techers' College
关键词
龙槎杯
艺术风格
文人趣味
Longcha cup
artistic style
bookmen＇s gusto
