摘要
《西厢记》与《牡丹亭》中的两梦——"草桥惊梦"和"游园惊梦"分别借剧中人物张生和丽娘之梦表达出创作者强烈的主观情感和思想境界。"草桥惊梦",张生之情起于梦而止于梦;"游园惊梦",丽娘之情发乎梦却超越梦。一梦见出历史的无奈与真实,一梦见出理想的追索与光芒。
"The Dream of the Straus Bridge" and "The Dream in Visiting the Garden", two dreams in Ths Xixiang and The Mudan Pavilion show the strong feetings and ideological state of the creators. In "The Dream of the Straw Bridge", Zhang Sheng's affection begins with dreams and ends with dreams, but in "The Dream in Visiting the Garden", Li Niang's affection begins with dreams and overstep dreams. From a dream we can see the helplessness and reality of history and the search and flash of ideals.
出处
《西华师范大学学报(哲学社会科学版)》
2008年第1期40-42,共3页
Journal of China West Normal University:Philosophy & Social Sciences
关键词
草桥惊梦
张生
游园惊梦
丽娘
历史
理想
"The Dream of the Straw Bridge"
Zhang Sheng
"The Dream in Visiting the Garden", Li Niang
history
ideal