上个世纪末女性诗歌叙述声音发展流变——从翟永明诗歌个体看叙述声音的确立

The Changing Voices of Female Poet in the End of the Last Century——the Identity of Narrative Voice from Zhai Yong-ming's Poetry

从20世纪80年代的同一声音的独白式,翟永明以犀利的笔墨道出了女性敏感的神经和自我意识,从而奠定其女性诗人的地位,但同时"女性诗人"的称号也受到她本人的排斥。从第二人称的大量使用开始,她踏上了对话与交流之路,进而发展到完全抽离地第三人称书写,进入一个纯叙事性的"戏剧化"描写。自《时间美人》等一系列作品开始,诗人开始进行自我独白与戏剧描述的融合。这一流变过程同时也是20世纪80年代到90年代诗歌叙事声音,特别是女性诗歌的普遍道路。我们可以看到诗人在面对重压之下的个人形象的隐匿以及凸现,而最终完成现代女性书写者在面对社会压力中的自我话语的确立。

Since the 1980s, Zhai Yongming has bitingly portrayed the tenderness and self- identity of the female by means of monologue, hence established his status as ＂feminine poet＂ in literature. However, at the same time, she held repulsion toward the labeling. She started to write in the way of dialogue by adopting the second person and then, she started to write by using the third person pronoun without any traces of herself. From the beauty in the time, we can find the integration of former monologue and later dramatic narration. The changing process is the narrative voice of poetries between 1980s and 1990s particularly those composed by female poets. Moreover, it demonstrates us the concealment or presentation of the anthorb self- identity under heavy pressure. In the end established the identity of narrative voice for female writers under social pressure.