阿垅对现实主义理论的坚守与探索——对1950年那场理论批判的回顾和再探讨

A Long's Adherence and Investigation to the Realism Theories:Retrospect and Re-discussion of That Theory Animadversion in 1950

1950年,阿垅撰写了两篇文章,提出自己对当时高度敏感的文学与政治关系的独特理解。他反对对政治内容的概念化表现,反对除了工农兵以外不能写的论调,同时也反对对正面人物的神化和反面人物的丑化,但却遭到了《人民日报》的猛烈批判。批判者的目的主要是借批判阿垅,整肃胡风文艺思想在文艺界的影响,从而推行新时代文学的系列主张。阿垅就此写了两篇反批评的长文,虽在当时未能面世,但其对"文艺即政治"命题的坚持,对"深入描写私生活"问题的思考,客观上成了在特定环境下对现实主义理论的坚守和探索。阿垅的理论勇气和识见恰恰来自于对马列主义文艺思想真诚而非教条的学习和探究。

In 1950, A Long wrote two articles to oppose to the conceptive expression of political contents, the argument that any person except workers,peasants and soldiers can not be expressed in literary works. He also oppose to apotheosis of positive characters and ugiifying negative characters in literary works. Soon these two articles was animadverted fiercely by People＇s Daily. The main purpose of the repudiators is through animadverting on A Long in the field of literature and arts, to purge the influence of Hu Feng＇ s thoughts of literature and arts, sequentially to promote the series assertions of literature in the new era. In the two unpublished anti-criticism articles then, A Long＇s persisting in the proposition ＂Arts equal to Politics＂, thinking of ＂thorough describe private life＂ problem, became objectively the adherence and investigation to the realism theories under the particular environment. A Long＇ s courage and insight of theories came exactly from the study and research of Marxism-Leninism literature and arts theories sincerely but not dogmaticly.