摘要
在细读《红楼梦》文本的基础上,结合女性主义批评的相关理论,指出:大观园中的"女儿"是曹雪芹创造的、贾宝玉用来抗拒时间的流逝、填补生命空虚的一系列关于美的幻象。通过创造和占有这种美,贾宝玉和曹雪芹在最低层次上确证了自己事实上的男性身份,实现了"被弃"后对补天意识的移位和补偿。
On the basis of perusal of textual A Dream of Red Mansions alongside the relevant theory ot criticism in feminism, it is pointed out that the"daughters" in the Grand Garden are created by Cao Xueqin, which are a series of illusions of beauty used by Cao Xueqin for the opposition to the elapse of time, for the filling of emptiness in life. Through creating and possessing this kind of beauty, Cao Xueqin and Jia Baoyu demonstrate their factual identity of males at the lowest level and realize the shift and compensation of sky-patching consciousness after being "rejected".
出处
《咸阳师范学院学报》
2008年第1期87-90,共4页
Journal of Xianyang Normal University
关键词
《红楼梦》
男权文化
女儿崇拜
美的幻象
自恋情结
A Dream of Red Mansions
androcentric culture
worship of girls
illusions of beauty
narcissism