如何“重现”绘画经验？

On Wang Yin＇s Painting

用最为概要的说法．20世纪中国的油画传统，主要由两个部分组成，一个是西方的绘画传统（这一传统又包括西方文艺复兴以来的写实主义传统和19世纪之后出现的现代主义传统）．另一个是1950年代之后的苏派传统，即社会主义现实主义传统。西方绘画传统在20世纪早期主宰着中国油画经验。这一时期．从日本和欧洲回来的留学生．将西方的各种油画经验在中国铺展开来．写实主义和诸种现代主义展开了对话和竞争．油画风格上的异质性得到了激励和传播。

We can discover from Wang Yin＇s early ＂Fiction Monthly＂ series that his gaze is not on the West, but on the Chinese scholarly tradition since the May 4th Movement. Influenced by the discussion of the new cultural movement among intellectuals of that time, Wang Yin re-studied the works of a group of early Chinese painters such as those ofXu Beihong, Yah Wenliang, and Wang Shikuo etc. He examined these painters and their works in the context of the entire Chinese modernist view and considered them as an important part of the inodernist process of Chinese culture, and he departed from the present, conversely traced down to its ＂origin＂ step by step. From a general point of view, where has the experience of Chinese painting （oil painting） coine from？ Why has such a style existed in contemporary Chinese painting （oil painting）？ How is the modernity of Chinese painting embedded in the internal modernist evolution of the whole Chinese culture？ This is a typical Foucault style genealogical way of working.