摘要
中国古典园林的创作长期以来受传统山水画的影响,造园本身亦被视为"地上文章",所谓叠山与绘画"虚实虽殊,理致一也",唯载体不同而已。晚期园林在叠山、理水等许多重要环节直接取法高度成熟的山水画谱,而并非文人所标榜的"取法自然"。该文正是从明清园林发展的实际状况出发,探讨了在造园职业化、普及化的过程中,造园模仿绘画的合理性和积极作用。
Chinese classical garden had been influenced by landscape painting for a long time, Gardens are considered as the painting on the earth, in fact, the difference between stone piling and painting just lies in different carriers, and the principles are the same. For example, the gardens in Ming-Qing dynasties even directly imitated mature landscape painting in terms of stone piling and water treatment without the nature laws proclaimed by scholars. This article starts from the development of Ming-Qing gardens, and discusses the rationality and positive effects of imitating the landscape painting in the process of profession and population.
出处
《华中建筑》
2008年第2期170-172,213,共4页
Huazhong Architecture
关键词
明清
中国古典园林
职业造园家
模仿
Chinese classical garden of Ming-Qing Dynasties
Professional gardener
Imitation
