摘要
当我们需要在一个108m×108m，限高15m的方形场地中安排下75套艺术家工作室时，只能想到一个词——扎堆。有趣的是，这就是中国艺术家的生活状态，艺术家都喜欢扎堆，他们可以相互宣泄，互成圈子。而与北京已有的几个艺术家圈子，诸如798工厂、草场地艺术东区、北皋艺术区等不同，这是一次带策划色彩而非自发生成的艺术聚落设计，它坐拥京西深厚优越的地理人文积淀，又是定位于主流艺术的成熟艺术家私人工作室的建筑群落。这种思考使我们意识到挖掘艺术家群落的工作状态，通过恰当的建筑语言反映到空间与场所中来，是这个设计的关键。
When we were asked to place 75 suites of studios for artists in a square land of 108m × 108m with height （imitation of 15m, the only solution that we could think of is gathering together. What＇ s interesting is that, this is just the living state of Chinese artists. Artists all like to gather together, because, being together, they can unbosom themsleves to each other, and form a circle of themselves. Different from the several existent artists circles in Beijing, including 798 plant, Caochangdi east district of art, Beigao art district, this artist community project is not something spontaneous, but bears some color of planning. The project embraces the long, deep-rooted and exceptionally advantaged geographic and cultural history of western Beijing, and it is intended to be a construction group of private studios of mature artists mainly engaged in mainstream art. These considerations got us to realize that, to get a good understanding of the working state of the artists, and have it reflected on the spaces and places using appopriate architectural language, will be the key to the success of the project.
出处
《世界建筑》
北大核心
2008年第2期76-81,共6页
World Architecture
