摘要
受南美作家马尔克斯的循环时间观和博尔赫斯迷宫时间的影响,中国当代新潮作家开始热衷于时间的“炼金术”,他们在时间的循环往复、时间的空间化和立体化方面作了许多大胆的尝试和实验,并获得了一定的成功。然而,由于没有哲学、美学乃至宗教信念作为思想支撑,新潮作家始终没有形成自己的时间意识,他们的时间塑形仅仅停留在技术层面,最终沦落为操纵时间的游戏。
Influenced by Marquez's cyclic time and Borges' labyrinth time, the contemporary Chinese New Tide writers turn wild about the "alchemy" of time-they have achieved some tangential success in their bold attempts and experiments in aspects like the cyclic time, the spatialized time and three-dimensional time. However, without the sustainment of philosophy, aesthetics and even religious convictions, they have never acquired their own temporal consciousness. Their temporal configuration merely stays on the technical level and is ultimately relegated to a game of time manipulation.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2008年第1期84-88,共5页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
关键词
马尔克斯
博尔赫斯
中国当代新潮作家
时间塑形
影响
Marquez
Borges
contemporary Chinese New Tide writers
temporal configuration
impact