“狂欢”与“逍遥”——巴赫金狂欢化诗学与庄子逍遥游思想异同比较

"Carnival" and "Being Carefree"——Comparison of Bakhtin's Poetics and Zhuangzi's Thought

从审美文化精神的角度进行比较,不难发现巴赫金的"狂欢化"诗学和庄子的"逍遥游"思想有着不同的精神内涵和文化取向。不同的社会文化语境造就了二者不同的理论品格,共同的世俗压抑和社会不公又给他们注入了相似的叛逆因子。在他们的性格和理论中,"孤独"与"旷达"并存,"出世"与"入世"对待,"狂欢"与"逍遥"辉映。二者异曲同工,各具千秋。

The spiritual intensions and cultural orientation of Bakhtin＇s poetics of ＂carnival＂ and Zhuangzi＇s thought of ＂being carefree＂ are analyzed from a cultural and spiritual aesthetic angle in this article. These differences come from the different cultural backgrounds and social contexts but the similar secular depression and social injustice also supply similar rebellious factors to their theoretical formation. Both Bakhtin and Zhuangzi want to keep aloof from the worldly affairs and meanwhile they long for involving themselves into the society. In their theories and personal characters, there is a coexistence of solitude and such broad-mind as carnival or ease. Therefore, they put forward their own theoretical concepts and show their different sensibility.