摘要
《西游记》艺术地再现了明朝社会生活现实,父系家长制是我国封建社会生活的重要特征,这个特征必然会投影到小说中。孙悟空偏爱以具有母权遗留的"外公"而非代表父权的"爷爷"作为自称。孙悟空的艺术形象秉承"知母不知父"神话。母系、父系两种社会家族家长制的影响,"舅权"产生、发展特点以及吴承恩特殊的生活经历,可以阐释"孙外公"的存在原因。
Journey to the West depicts the life profoundly in an artistic way. Feudal patriarchal society is an important characteristic of China's feudal life, which is naturally mirrored in novels. Why does Monkey King tend to claim himself grandfather left by maternal right? Based on the Monkey King "grandfather" and "Grandpa" triggered the description of motherhood and matrilineal family patriarchal society, "paternalistic" and 'uncles" of exploring the 'uncles" of the production and development of novel features, as well as the impact of the special life experiences of Wu Cheng-en upon the hovers unique description of this title, In this paper this issue is diachronically analyzed from the Folklore perspective.
出处
《温州大学学报(社会科学版)》
2008年第2期35-39,共5页
Journal of Wenzhou University:Social Science Edition
关键词
西游记
孙悟空
外公
家长制
母系社会
舅权
Journey to the West
Monkey King
Grandfather
Parental institution
Matrilineal society
Uncle's right