克罗齐主体直觉论对中国现代美学的影响和启示

Influence and Enlightenment of Croce's Intuition upon Modern Chinese Aesthetics

克罗齐所处时代的美学是以彰显人的感性主体为主要内容的,他认为美学就是研究人的直觉,提出直觉就是表现,表现情感的意象这一核心概念。克罗齐主体性美学在中国的传播主要由朱光潜来完成,其对西方现代艺术的反思与批判和中国现代美学研究有着深刻的影响和启示。研究克罗齐美学主体性的目的就在于复苏主体的直觉创造精神,使心灵由于感性的加入而获得真正的完整与和谐。

In Croce＇s time, the main character of aesthetics is to show the sensibility and perception of the human. In his opinion, the study of aesthetics is the study of intuition. He put forward the idea that intuition was expressing the image of feeling. The spread Croce＇s Aesthetics in China is to be completed by Zhu Guangqian. Modem western art reflection and criticism of Croce＇s has great influence and inspiration towards Chinese modern aesthetics. The main purpose of this paper is to revive subjectival intuition, which aimed at the thoughts of ＂art is regarded as the liberator＂ and make the spirit complete and harmonious by adding the sensibility.