摘要
本文仅以唐代经变画为例,试图从心理学的角度分别对中国传统的意象绘画及其两个分支——"乐舞精神"与"写实因素"加以论述,以此来加深我们对唐代经变画的理解并期望众学者们能涉足敦煌艺术心理学的研究领域。
This article only made the sutra painting of Tang Dynasty as an example, and from a psychological point of view to explain the traditional Chinese implication - image painting and its two branches - "the spirit of the music and dance"and"realism factor" in order to deepen our understanding of the sutra painting of Tang Dynasty and expect that the scholars will be able to set foot in Dunhuang Art psychology research field.
出处
《新疆艺术学院学报》
2008年第1期17-20,共4页
Journal of Xinjiang Arts University
关键词
唐代经变画
意象绘画
乐舞精神
写实因素
精神分析学
The sutra painting
The implication - image painting
Dance - music spirit
Realism factor
Spirit of science