摘要
物象的色块转换到视觉语言过程中,观察方法是作为分解其艺术语言形式的主要媒介之一,不同的方法会导致其视觉色彩艺术表现形式多样的存在。观察和表现既是视觉体会和情感变化的过程,知觉的最初判断形式,也是情感、象征在色彩的表现形式中的再现的结果,更是绘画结构特征及审美趋向性体现的原始动力所在。
During the course of different colors transferring to the visual language, the means of observation has been regarded as one of the major media of representing artificial language. Different means can lead to the existence of various representations of visual colors. The observation and representation is the course of visual apprehension and emotional changing as well as the primary form of consciousness; what's more, it is the intrinsic power of the structural characteristics and aesthetic representation as well as the result of the representation of emotion and symbol in the form of colors.
出处
《新疆艺术学院学报》
2008年第1期52-54,共3页
Journal of Xinjiang Arts University
关键词
见察
表现
审美
色彩
Observation
Representation
Appreciation of beauty
Colors