摘要
东周陶器在造型上,栩栩如生的仿生造型使器物富有生活气息。而传统的几何造型更是由抽象、规范走向纤细、玲珑;纹饰上,纹样装饰的写意性、象征性减弱而写实性增强,反映现实生活的写实性图案普遍盛行。而绘画、雕塑、漆艺等多种艺术技法的综合运用,点、线、面的娴熟把握,使得陶器纹饰与造型妙合无垠,相得益彰。东周陶器对现实生活的观照,对美的自觉追求,代表了一种全新的审美趣味。
The vivid biomimetic modelings of Dongzhou pottery render it aboundant in living manner. On traditional geometic modeling ,the abstractiveness and standardization direct to fine and exquisite style. In terms of ornamentation, with a inclination of the expressional symbolistic manner, the realistical manner increases. And the realistical paintings refleeting true life prevail largely. While the comprehensive appliance of the crafts of patting , curving and lacquarware as well as the perfectly grasping of spots, lines and surface make theornamentation and the modeling of Dongzhou pottery to be a harmonionous whole one. Above all, its reflection of real life and the consciously pursuit for the beauty represent a unprecedent esthetic tendency.
出处
《甘肃联合大学学报(社会科学版)》
2008年第2期88-92,共5页
Journal of Gansu Lianhe University:Social Sciences
基金
2004年国家社科基金项目"夏商周美学思想研究"(04BZX060)成果之一
关键词
东周陶器
造型
纹饰
艺术表现
Dongzhou pottery
modeling
ornamentation
art expression