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《闺怨》:男性视角下的女性精神体验——王昌龄《闺怨》诗浅析

On the Female Spirit From the Perspective of the Male——the Analysis of Wang Changling's poem:"Gui yuan"
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摘要 王昌龄七绝表现了隐藏在男性视角下的女性精神体验。其实质是借女性之口而道出男性之心,即诗歌写出的是男性对"家"的眷念和回归渴望,以及进行此种表达的尴尬与矛盾。 Wang Changling's seven - character style poem expressed to conceal extremely under the male angle of view of female spirit experience. In fact, the quality lend the male's heart of the female's but way, namely verse's writing is a male to has tender thoughts of" family " and a desire of return, and carry on this kind express of embarrassed and selfcontradict.
作者 李亚东
机构地区 三峡大学文学院
出处 《钦州学院学报》 2008年第1期37-39,共3页 Journal of Qinzhou University
关键词 《闺怨》 男性视角 结构 回归 隐藏 the male visual angle configuration family return conceal
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  • 3Eve Kosofsky Sedgewick, Epistemology of the Closet ( Berkeley: U of California P, 1990) 233.
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  • 5also Rex Reed, "Tennessee Williams Turns Sixty," and Dotson Rader, "The Art of Theatre: Tennessee Williams," both in Conversations with Tennessee Williares, ed. Albert J. Delvin(London: UP of Mississipi, 1986) 189, 344.
  • 6Susan Sontag, "Notes on Camp," Camp : Queer Aesthetics and the Performing Subject, ed. Fabio Cleto ( Michigan: The U of Michigan P, 2002).
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  • 9Christopher Bigsby, Modem American Drama, 1945-2000 (Cambridge: Cambridge UP, 2000) 41. Bigsby wrote, "For Most of his life Tennessee Williams chose to dramatize himself as alienated romantic. "
  • 10Babuscio,Jack. "Camp and the Gay Sensibility. " Gays and Film. Ed. Richard Dyer. New York: Zeotrope, 1984.

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