摘要
女贞观故事源自宋元时期的民间传说,自进入文学领域后,经过历代文人的不断润色加工,至明人高濂所创作的《玉簪记》时已成为一部集大成之作。该剧极富宗教批判性,反映了张扬人欲,追求个性解放的时代思潮,充满浪漫主义色彩,使明传奇的创作达到了一个新的思想艺术高度。
The story of Nv Zhenguan originated from Song and Yuan Dynastic folklore. Since it entered the literature domain, it had been polished by the writers until Gao Lian in the Ming Dynasty created it to A Tale of Jade Clasp , which had already become an epitomized work. The play was full of religious criticism, reflecting human desire and the pursuit of emancipation of man' s individual character. It enabled the creation of Ming Dynasty drama to achieve a new altitude of thought and art.
出处
《漳州师范学院学报(哲学社会科学版)》
2008年第1期89-93,共5页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词
玉簪记
宗教批判
个性解放
喜剧艺术
A Tade of Jade Clasp
religious criticism
emancipation of man's individual character
comedy art