人面桃花何处去——解读新时期文学作品中的“人面桃花”恋情模式

"Smiling Face and Peach Blossom" Lost——A Probe into the "Smiling Face and Peach Blossom" Love Pattern in Chinese New Time Literature

文章梳理了新时期文学中"人面桃花"模式的爱情作品,剖析其质素构成、发展脉络、内蕴本质及走向。这一类型的作品处于文学进行世俗观照与终极关怀的联结点,言说了千百年来灵与肉之间的游离。"人面桃花"恋情模式是生命剥离了世俗假面和规则桎梏后的本性呈现,呈现出对人本性的认同性寻求。但伦理的困境与约定俗成的压力却使得原初的爱情阐述搁浅于失语的海域,且由于作家无法解决这个模式伊始的不合规定性,在世俗理性与人文关怀之间徘徊不已,这一切都使得"人面桃花"恋情模式最终走向了游戏的迷途。

The paper first summarizes the love stories in ＂smiling face and peach blossom＂ pattern in Chinese New Tune literature, and then analyzes their compositions, developing skeletons, essence and trends. Works in this pattern connect mundane care and ultimate concern in literature and present the separation between flesh and soul in thousund years. ＂Smiling face and peach blossom＂ love pattern is a presentation of seeking to identify .human＇s nature after life is peeled off its mundane mask and ruling prohibition. Nonetheless, the ethic dilemma and conventional pressure perplex the original accounts of love. Furthermore, writers are incapable of solving the irregularity of the pattern and hence wander between the mundane nons and human concern. All these factors make ＂smiling face and peach blossom＂ love pattern lose its way and turn to a game pattern.