贝尔格十二音技法的特点

Characteristics of Berg's Dodecaphonic Techniques

贝尔格从对十二音的创作开始,通过在困惑中的探索,逐渐形成一些惯用的手法。他的十二音音乐和勋伯格、韦伯恩不同,在音乐中既有纯十二音语言,也有自由无调性,甚至还有纯粹调性的段落,还有各种神秘数字和象征意义的结合运用。通过探讨贝尔格十二音作曲技法的特殊之处,以寻求贝尔格的音乐创作的独特风格。

Starting from writing dodecaphonics, Berg gradually forms some customary means by exploring in perplexity. His dodecaphonic music is defferent from Schoenberg and Webern＇s. In his dodecaphonic music, there are both pure dodecaphonic language and froe atonality, and even some pure tonal sections and the combinations of various mysterious figures and symbols. This paper attempts to seek out the unique style of Berg＇s music creation by inquiring into the special techniques of Berg＇s dodecaphonic composition.