摘要
反排木鼓舞作为文化的一种展示方式,随着时代的不同发生着文化的变迁和意义的生产,由一种族群源流与迁徙,祖先历史与记忆的隐喻和象征,逐渐转向反排文化,这种文化的展示与表征,一是通过苗族形象,二是展示和表征贵州少数民族和苗族的文化符号,从而实现文化的再生产。
Fanpai wood drum dance, as a cultural representation, changes culturally and produces new meaning with the development of the time, evolving from ethnic group and the metaphor and symbol of their ancestors' history and memory. The representation of the culture is realized through the image of the Miao people on the one hand and on the other it symbols the cultural sign of Guizhou minority nationalities and Miao nationality, and realizes the cultural reproduction.
出处
《贵阳学院学报(社会科学版)》
2008年第1期34-38,共5页
Journal of Guiyang University:Social Sciences
关键词
反排木鼓舞
历史记忆
表征
文化再生产
Fanpai wood drum dance
historical memory
representation
cultural reproduction