论吴昌硕“与古为新”的绘画创新思想

The Discussion of "Endow Old With New" of WU Chang-shuo's Innovation Theory of Painting

吴昌硕"与古为新"的绘画创新思想在原文中意即引上古金石篆籀文字的笔法笔意入画进行传统文人画的创新,深层而言是在文人画商品化的历史语境中整合中国古代文化和艺术中富有活力的因子,赋予传统文人画新的生命质地,从而创作出适应市场需要和体现时代精神的绘画作品,所以他这种绘画创新思想具有与时俱进的品格。

The ＂Endow Old With New＂ of WU Chang-shuo＇ s innovation theory of painting means intaking painting＇ s significance of ancinent seal handwriting＇ s form and significance in order to innovate traditional literators ＇ painting. The deep meaning of it is to arouse and change the vigorous factors of the traditional literary and art so that endow with the traditional literators＇ painting new vitality in order to creating painting which adapts to marketplace need and embody contemporary spirit in the historic context of literators＇ painting marketing, so his theory has quality forward together with times.