一个关于“电影建筑”的建筑文本

A Reading of The Manifesto for A Cinematic Architecture

对帕斯考·舒宁(Pascal Schning)的《一个电影建筑的宣言》的文本进行了解读。通过追溯帕斯考个人的经历和其建筑理念形成的关系,试图理解其"电影建筑"主要的议题、概念的构筑和达成的方式,并试图说明在帕斯考·舒宁的定义中,"电影建筑"不是关于电影和建筑之间再现与参照的关系。在此,"电影"表达的是一种建筑的理念,即物质实体消隐的过程对人的感知和心理体验的影响。

This paper is a reading of Pascal Schōning＇s The Manifesto for A Cinematic Architecture. Through tracing the relation between his own experience and formation of his conception of architecture, the paper tries to understand the main issues of the ＂cinematic architecture＂, the formulation of its concepts, and the approach to achieve it, and tries to argue that the ＂cinematic architecture＂ in Pascal＇s definition is not about representational and referential relationship between film and architecture.＂Cinematic＂ here indicates a concept of architecture, which concerns perceptual and psychological effect in the process of ＂dematerialisation＂.