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《洞》析 被引量:1

Architects Interpretation of the Film Hole
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摘要 通过建筑师的视角对蔡明亮导演的电影《洞》进行解读,以实体空间和镜头空间的双重视角观察影片中物和空间的叙事。物和空间的表演取代了演员的表演,讲述了一个细腻的情感故事。通过这个分析练习,建筑师可以洞察电影空间和建筑空间的关联;更有趣的是,了解到日常生活中人物的性格、情感是怎样投射到物和空间上的,相反,人物的性格和情感又是如何被物和空间所形塑的,以及人与人是怎样通过物和空间而不是语言和表情来进行交流的。 This paper,interpreting the film"Hole" which is directed by Ming-liang Tsai through the perspective of an architect,observes the narration of material and the space under the both perspectives of physical space and lens space.The performance of the material and the space.instead of the performance of the actors,narrates a delicate emotional story,Through practicing analysis of this film.architects can understand the relationship between the space of a film and that of a building.The more interest ,gained from this analysis,is that we can understand how people's characteristic and emotion in daily life can be projected on the material and the space.on the contrary,how the characteristic and emotion is shaped by the material and the space .and how people communicates with material and space rather than language and expressions.
作者 冯果川
出处 《新建筑》 2008年第1期41-45,共5页 New Architecture
关键词 电影空间 建筑空间 实体空间 镜头空间 film space,architecture space,physical space,les space
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  • 1[法]吉尔·德勒兹(GillesDeleuze)[著],谢强等译.时间——影像[M]. 湖南美术出版社, 2004

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