摘要
本文载记的是汉语修辞错觉、悖句、离合三格的研究成果。笔者于现存文学艺术文本及民间艺术现象流传中,觉得此三种修辞样式值得广为应用,经大量取证、分析、归纳、论证后,确认了其修辞格的本质特征。
The thesis attempts to explore some new findings in Chinese character rhetoric illusion, paradox and deconstruction and re-combination, existing in some texts of literature and folk art. based on the variety of evidence, analysis, induction and proof, the author confirms the essential features of Chinese character rhetoric and intends to provide beneficial help to readers.
关键词
修辞格
错觉
悖句
离合
rhetoric, illusion, paradox, deconstruction and re-combination