现实题材的获奖作品与茅盾文学奖的生产机制

The Awarded Realistic Works and the Awarding Mechanism of Mao Dun Prize for Literature

通过获得茅盾文学奖的现实题材作品来考察茅盾文学奖的生产机制。论文提出:茅盾文学奖与获奖作品之间的关系并非简单的价值判断关系。一方面受茅盾文学奖在文学场中的位置的制约,现实题材的作品必然会在历届茅盾文学奖的获奖作品占有一定的比例;同时,在文学场逻辑的作用下,这种比例关系在不同的历史阶段会发生相应的变化,而变化的程度和大小必然又受到茅盾文学奖在文学场中的位置以及与此位置相匹配的配置的规范和框架。

This paper discusses the awarding mechanism of Mao Dun Prize for Literature through an analysis of its awarded realistic works. It points out that the relation between Mao Dun Prize for Lit-erature and the awarded works is not a simple one of value judgment. The realistic works surely have their position in winning Mao Dun Prize for Literature due to its value orientation but at the same time the proportion of awarded works has experienced historical changes due to the changing position of this prize in Chinese literature as well as the corresponding criteria.