饮之太和——叶维廉对中国诗学生态美学精神的开掘与阐发

Drawing upon Great Harmony——Ye Weilian's Exploitation and Interpretation of the Spirit of Ecological Aesthetics of Chinese Poetics

在以生态精神来阐发中国古典美学思想的学术谱系中,叶维廉堪称华人学者中的第一人。叶氏在中西比较视野下发掘、阐释的中国古典诗学"饮之太和"、"以物观物"的视境,既与现象学相对接,又体现了浓厚的生态美学精神。揭示这一点,不仅更能使我们认清中国生态美学、生态文艺批评的学术历史脉动及其与其他学术领域的精神联接,也对我们研究中国古典文艺美学走向现代并参与当下文化建设具有启发。

Ye Weilian is well regarded the No. 1 among Chinese scholars to expound the system of Chinese classical aesthetic theory in terms of ecological understanding. From a comparative perspective between China and West, Ye exploited and interpreted the view of ＂drawing upon great harmony＂ and ＂viewing the object from the object＇s view＂ in Chinese classical poetics, hence associating it to a phenomenological understanding and also showing a deep concern of ecological aesthetics. All this casts a light on theoretical connections between Chinese ecological aesthetics and ecological literary criticism and other academic fields and on modernization of study of Chinese classical aesthetics of literature and art and participation in current cultural construction.