初盛唐山水赋的艺术风貌

The Artistic Features of Landscape-Fu in the Early and High-Tang Dynasty

初盛唐山水赋创作是繁荣的。初唐山水赋分为两派,一是承南朝余绪,赋写园林中的小山小池,仍沉浸于"园林幸足"的情趣中;一是开始走出宫廷,步入山林,尽享大自然的原生山水,开盛唐山水赋先河。盛唐山水赋家超越园林,足涉黄河,身登五岳,踪迹遍布大江南北,山水赋体式多样,题材丰富,形神兼备,意境多重,一派盛唐气象。

The creation of Landseape-Fu was very prosperous in the early and high Tang Dynasty. In the early Tang Dynasty, the Landscape-Fu formed two kinds. Accepting styles of the Southern Dynasty , some writers only described some small pools and fabricated hills in gardens and enjoyed themselves. The others, who were the forerunners of the Landscape-Fu in the high Tang Dynasty, began to go out the palace and march into the wooded mountain, and appreciated the primary scenery of nature. In the high Tang Dynasty, writers had got out gardens and started to ferry big rivers and climb high mountains. Thus, there are sorts of styles and topics and diverse artistic conceptions. In a word, that is a glorious age of Tang.