佩列文的小说《夏伯阳与虚空》的后现代主义标记研究

A Study of the Postmodernist Marks in Pelevin's Chapaev and Void

佩列文的小说《夏伯阳与虚空》是俄罗斯后现代主义文学中最为独特的作品之一,然而长期以来,该小说的后现代主义身份仿佛成了一个自明性的问题。伪莫维主义的写作策略和"列车"等一些能够解释世界存在本质的具体而又抽象的物品是该文本的后现代特征的两种显著标记。作家通过前者来强调文本的彼岸色彩,通过后者来表达"原初的真实"是一种幻觉的后现代主义诗学观。

As a masterpiece of Russian writer Victor Pelevin, Chapaev and Void is one of the most original works of fiction in Russian postmodernist literature. Since long time ago, the postmodernist identity of the novel seems to have been self-evident. The pseudomauvais and those objects as the train and other things are the postmodernist marks of the novel. The author wants to express the faramita idea with the help of pseudomauvais and the idea that ＂the original realness＂ is an illusionary postmodernist poetics view.