审美形象:视觉画面与语言符号化——比较邵洵美与穆旦诗歌中的身体叙事

Aesthetic Image: Visual Images and Language Symbolization——Comparing Narrations of Body in the Poems of Shao Xunmei and Mu Dan

当我们在诗歌的艺术世界中找寻对身体的叙事时,发现同样面对"身体",不同的诗人给予了不同的诠释。这里主要是比较在邵洵美与穆旦的诗歌中的身体叙事所呈现出来的不同的审美形象,即在邵洵美的颓荡肉感诗歌中身体是以可感知的视觉画面的形式出现的,而在穆旦的诗歌中,身体则抽离出了视觉的感知画面,变为了一种抽象的理念化的语言符号。但不管怎样,他们诗歌中对身体的叙事都对当今的对身体的欲望化亵渎有着纠偏的作用。

In finding the narrations of body in poetry world, we can easily find that facing the same ＂body＂, different poets have given it different interpretations. Here is a comparison of different aesthetic images in narrating body in the poems of Shao Xunmei and Mu Dan. In Shao Xunmei＇ s poetry, the body is perceived in the form of visual images, while in Mu Dan＇s poetry, the body has dissociated itself from the visual perception and become a kind of abstract language symbols. However, all the narrations of the body in their poetry would play an important role in correcting popular desire for body nowadays.