从人道关怀到多元体验——从罗中立、周春芽的艺术道路看四川画家群创作风格的演变

From Humanitarian Concern to Diversified Experience——Researches into the Changes of Creating Styles of Sichuan Painters Group via Luo Zhongli's and Zhou Chunya's Paths of Going in for Art

崛起于1970-1980年代之交的"四川画家群",曾经为"伤痕美术"和"乡土美术"留下了经典的画页。在当今日新月异的思潮更迭和光怪陆离的"多元化"历史场面中,当年的四川画家群成员在艺术风格上也产生了种种复杂的分化;在他们的艺术道路中,透射出中国新时期美术沧桑巨变的历程。"四川画家群"两个重要成员罗中立和周春芽创作风格的变迁就展示出四川画家群从当年悲天悯人的人道主义到多元化的人文主义创作的历程。

The Sichuan painters group, which emerged in 1970 to 1980, had left classical pages for “Art of Scars”and “Art of Local Colors”. With the change of increasingly new thoughts and in the grotesque and morley pluralistic historical scene, those members of the Sichuan painters group advanced with the times, swam and sank with the times.Various complex divergences in art styles sprang into being as well. The vicissitudes of modern fine arts of China have found full expression in those painters＇ paths of art. By looking into the changes of creating styles of the two important members like Luo Zhongli and Zhou Chunya in this school, this paper attempts to manifest the painters＇ bewailing and pitying humanitarianism to pluralistic humanism.