摘要
电影艺术天然存在文学性,不论从原创剧本到电影,还是从文学作品到改编剧本再到电影,电影作品与文学作品血肉相连,文学性的存在是电影成为艺术的基点。从文本语言到画面语言的解构与重塑的过程中,建构起电影艺术文学性的转换生成。在传媒社会强大的视觉图式冲击下,从传统电影到数码电影文学性产生消解趋势的同时,电影艺术也将丧失其本质所在。
Literariness is an intrinsic character of movie arts. From original scripts to movies or from literal works to adapted plays and then to motion pictures, movie productions and literal works are inseparably linked to each other. Literariness accounts for the artistic quality of motion pictures. With deconstruction of literal texts and reconstruction of visual expressions, literariness of movie arts thus comes into being. Under the formidable impact of mass media visions, traditional movies will be deplorably deprived of their innate literariness when replaced by digital motion pictures.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2008年第2期155-160,共6页
Journal of Nanjing Normal University(Social Science Edition)
关键词
解构
重塑
电影艺术
文学性
deconstruction
rebuilding
movie art
literariness