摘要
比兴是中国古典文艺美学的核心理论之一。比和兴在作为修辞方法时两者有别,但作为一种艺术思维方式,则比兴有许多共性,都具有用此意象代替彼意象的隐喻特征。用格式塔心理学和美学理论来看比兴思维,能为我们重新阐释古代诗歌经典理论的心理机制提供一个科学性的新思路。
Bi [ similarty ] xing [ associative ] is one of the most important theory in Chinese Classical Aesthetic of Literature and Art. As modes of rhetoric, Bi -xing have some differences, but as a mode of artistic thinking, Bi - xing has a lot of commonness, for example, metaphor, assimilating one image with another. Here we can name it Bi - xing Thinking. Reinterpreting Bi - xing Thinking with the Gestalt Psycology and Gestalt esthetics, we may get a scientific and new thinking for re - interpreting the psycological mechanism of ancient thearies on classical poetry.
出处
《湖北民族学院学报(哲学社会科学版)》
2008年第1期121-123,共3页
Journal of Hubei Minzu University:Philosophy and Social Sciences
关键词
比兴思维
格式塔
视觉思维
力
Bi -xing thinking
Gestalt
visual thinking
forces