摘要
作为审美对象,艺术作品以直观的方式向审美者显现自身,但这种显现相关于审美经验的生成。针对作品的审美活动,就是审美对象与审美经验的相互生成。审美经验的传播就是审美经验经由媒介所发生的交融,但传播媒介在显现作品和艺术时,又遮蔽了它们自身。只有不断地去蔽,才能让艺术的本性与存在相关切,从而让审美经验生成生活自身的意义。
As the aesthetic object, works of art present themselves towards their audiences, who appreciate the works by means of intuition. But this presentation relates to the formulation of aesthetic experience. The aesthetic activity of art works has become a kind of mutual formulation of aesthetic object and aesthetic experience. The communication of aesthetic experience is the assimilation performed by aesthetic experience through media, but while the communication media present works and art, they conceal themselves. Only by continuous uncovering, can we make the nature of art relates to being, thus making aesthetic experience become the significance of life itself.
出处
《湖南大众传媒职业技术学院学报》
2006年第6期54-58,共5页
Journal of Hunan Mass Media Vocational and Technical College
关键词
作品展现
审美经验
媒介传播
意义生成
the presentation of works
aesthetic experience
communication in media
significance.