从《追求现代性》到“20世纪中国文学”命题的提出——现代性理论与中国现当代文学研究转型之一

Modernity Theory and Transition of Modern Chinese Literature Studies(Ⅰ)

现代性理论,从20世纪80年代进入中国现当代文学的语境,延展至今,成为中国现当代文学研究转型的一个强大推动力,改变了该学科的研究格局,成为学术研究新的生长点。本文以80年代为时间限度,考察了从李欧梵《现代性的追求》到《论"20世纪中国文学"》及相关现象,阐述了在特定语境中,"现代性"与"现代化"交互使用,取代沿用甚久的"革命——阶级分析"范式,建立"现代性——启蒙话语"范式的学术进程,并且对其中一些关节点予以较为深入的阐发。

The theory of modernity, initiated into modern and contemporary Chinese literature in the 1980s, has so far become a vigorous motive to the transition of modern and contemporary Chinese literature studies and has subsequently transformed the setup of studies in the discipline, thus having become the new growing point of academic research. With the 1980s as a time limit, this paper examines the advancement from Li Oufan＇ s The Pursuit of Modernity to On the Chinese Literature of the 20th Century and some relevant phenomena and expounds on the academic process of the interchangeab tion＂ as well as of the establishment of the ＂modernity-enlightenment ility of ＂modernity＂ and ＂modernizadiscourse＂ mode in place of the long- used ＂revolution--class analysis＂ mode in specific contexts. Moreover, in-depth analyses have also been made of some focal points.