生存意识与历史记忆——从小说《生存》到电影《鬼子来了》

Consciousness of Existence and Historical Memory:From the Fiction Existence to the Film Japanese Devil Coming

中国当代文学在其发展流变中,为抗日战争这段历史的书写提供了另一种可能。本文以尤凤伟的中篇小说《生存》和它的改编剧本,以及姜文据此再度创作和拍摄的电影《鬼子来了》为考察对象,回避其从小说、剧本到电影的流变过程中在文艺样式与拍摄技巧上的特色,而着重从创作主体建立在国族想象上的启蒙立场与文本中阶级意识的隐现上,探讨当前抗战文艺中的历史记忆与现实诉求。

The contemporary Chinese literature makes it certain to write the history of Anti- Japanese War in another way. In this dissertation, we will study not only the novelette Existence by YOU Fengwei, but also the film named Japanese Devil Coming, which was adapted from Existence and directed by a famous director and actor JIANG Wen. This dissertation evades the characteristics of the art style and the skill in shooting the film in the process from the novelette, scenario to the film. We mainly discuss historical memory and requirement of reality of contemporary Anti - Japanese War literature by discovering the standpoint of enlightenment basing on the imagination of nationstate, and class consciousness in the two texts.