摘要
现代小说史上的乡土叙事主要有偏于主观和偏于客观的两种类型,它们都建基于现代性的主客二分的思维方式之上。铁凝的《笨花》力图走出这种主客二分模式,以主体间性的视野展示乡村生活,从而实现了对乡村叙事的丰富和拓展。对日常生活及其意义的发现和关注是《笨花》不同于既往的乡村叙事的重要特征,日常生活描写在小说中不只是点缀和装饰,而是具有了本体论的意义。
There are two kinds narratives which is leaned to subjcet and object on modern lierary history, both of them based on the dimidiate thinking mode. Tie Ning＇s Ben Hua tried to walk out this subject and object dimidiate thinking mode, in order to revealnatural county life and realized the transcension of fomer novels. The discover and attention on the county everyday life makes Ben Hua had its important characteristics which is different from former novels, The depictions of everyday life had its ontological significance in this novel.
出处
《天津师范大学学报（社会科学版）》
CSSCI
北大核心
2008年第2期61-65,80,共6页
Journal of Tianjin Normal University(Social Science)
基金
国家社会科学基金项目(07BZW052)
关键词
笨花
乡村叙事
文化心灵
主体间性
Ben Hua
conuty narratives
cultral souls
inter-subject
