武满彻的“梦与数”──管弦乐《鸟群降落在星形的庭园》解析

Analysis on One of Orchestral Woks of Toru Takemitsu

武满彻的作品可以分为50年代开始到70年代末的第一个阶段和80年代以后的第二个阶段。第一阶段到第二阶段的变化从表面上看是从前卫向保守转变。第一阶段作品采用了西方同时代的前卫手法。80年代以后的第二阶段作品里的图形乐谱,不确定性因素消失,更趋向于采用五线谱记谱、常规的乐队编制及西洋乐器。与第一阶段常用的小二度、大七度、小九度等无调性音高相比,80年代以后的作品中全音阶旋律、和声音响等成为主导因素,这与西方80年代调性回归的作曲倾向相呼应,即是回归"古典性"。武满彻70年代后期管弦乐《鸟群降落在星形的庭园》是一部向第二阶段新样式转变的关键性作品,从这部作品中可以感受到武满彻音乐的"梦与数"。

Toru Takemitsu＇s works can be divided into two periods , the first period was from the beginning of 1950s to the end of 1970s ,and the other period began from 1980s . Seemingly, the change from the first period to the second one was the transform from stylish to conservative. In the second period, graph -music score and uncertain elements faded , the composer would like to use five - line staff , notation ,ordinary orchestral organization and western musical instrument . In the first period ,minor second ,minor seventh, minor ninth and nontonal pitch were frequently used ,while in the second period , whole- tone- scaled melody, harmonic＇acoustics play an important role in works The orchestra——Birds land on five - pointed front yard , composed in later 1970s was a key work of transformation from the first period to the second.