结构·群像·父子密码--从高尔斯华绥世家系列与张炜家族系列看家族文化文学审美

The Family Formation,the Group Portrait and the Filiation Code

高尔斯华绥与张炜的"家族"系列构成了两个各具特色的文学世界,它们深刻反映了东西方文化的差异与人类家庭文化结构的同质性。血统与现实世界,形成了深具魅力的家族文学的源头。通过对于二者庞大家族系列的文学把握,家族形态的类似与核心质地的差异、家族中复杂的父子关系的男性密码、人身气质的群像营造原则以及知识分子审美的视角拉伸,都在比较中呈现出丰富而具深度的个人体验。由此出发,多角度、深层次地进入家族文学的结构,探讨中西不同时代的文学表现力,对中国当代文学家族的洞察具有新的意义。

John Galsworthy＇s and Zhang Wei＇s Sartoris constitute respectively two literary world with their own characteristics, which reflect the cultural differences in eastern and western countries and the homogeneity of household culture.Ancestry and reality are the rich sources of both charming sartoris literature. In the two sartoris, there are abundant and profound personal experiences which are presented in the external similarities and internal differences of family formation,complex virile code in family filiations, group portrait building principle and intellectual＇s aesthetic broaden horizon. In view of these factors, there must be new significance in the insight of Chinese contemporary literature by analyzing the structure of sartoris widely and deeply and discussing literature expressive force of China and Western country in different ages.