摘要
该文首先以时代背景为依托,关联推导式提出假设性命题,以此探索密斯设计砖宅时的源境,并从两个层面着手加以分析论证:从拓扑学的视角探讨符号学的潜意识对设计思维中的空间结构布局意向的启示作用以及从绘画和雕刻角度分析其如何影响人的设计思维。然后分析砖宅的空间建造特征,引出空间结构思维的探讨,以案例类比方式比较分析当今世界较有代表性的两个作品,总结其规律从而揭示其启示意义。最后以类型归纳方式分析砖宅的表层结构和深层结构,探讨其空间结构的秩序组织。
At first, this article puts forward an assumed proposition derived from the background of the times, so as to trace back to the source condition under which Mies designed the Brick House, moreover, analyzes and demonstrates it from two aspects: discussing the effect of semiological subconscious on the intention of space structure layout in design thought from the view of topology and analyzing it how to affect the architects' design thoughts from the angle of painting and engraving. And then, it analyzes the space construction feature of the Brick House, educes the discussion about space structure thoughts, comparatively analyzes two representative works in today's world by analogy with cases, and summarizes the rule, so as to reveal its enlightening significance. At last, the article analyzes both the surface and the deep structure of the house by classifying its types, and discusses the order organization of the space structure.
出处
《华中建筑》
2008年第3期25-28,共4页
Huazhong Architecture
关键词
密斯设计
砖宅
符号
潜意识思维
拓扑分析
空间秩序
Mies' design, Brick House, Symbol, Subconscious thought, Topological analysis, Space order