摘要
革命样板戏在"根本任务"论、"三突出"论、"主题先行"等的规约下呈现出叙事的符号化特征。本文试从女性的性别特征在革命样板戏中遭受潜抑和放逐的事实来探讨革命样板戏叙事的符号化问题。这种特征主要表现在女性名字和语言的符号化、人物造型的符号化、女性家庭生活或丈夫的缺席三个方面。
Under the constraints of “fundamental tasks”, “three emphases”, and “antecedence of theme”, revolutionary model play takes on the characteristics of symbolized narration. Based on the fact that women were oppressed and exiled in the model play, this paper attempts to explore the symbolized narration of revolutionary model play, which is mainly expressed in the symbolized female names, the symbolized character modeling, and the absence of family life or husband from females.
出处
《长江师范学院学报》
2008年第2期87-90,共4页
Journal of Yangtze Normal University
关键词
革命
样板戏
叙事
符号化
女性
revolution
model play
symbolization
female