摘要
以契斯恰柯夫素描教学体系为代表的西画写实手法的引入,与中国画的传统水墨的矛盾,导致了中国画的多元变革。中国画只有与相对立矛盾的艺术状态构成张力场,在走向现代化的文化转型进程中保持文化自身的深层冲力,才能在多元的文化形态中体现人的价值,使已经变异形态并将继续演化的中国文化,走向更深远的未来。
The Introduction of the Western painting's realistically painting style represented by the Qsiqakef's teaching system has irreversibly conflicted with the Chinese painting's traditional ink and wash, which have caused caused the plural transformation of the Chinese painting. Therefore, the Chinese painting has to maintain the deep cultural motivation during the modernized cultural transformation process, and to form a certain tensile stress with such an opposite and conflicting form of art. Only by that way can the Chinese painting show the human being's value in the Chinese culture , and then to promote the Chinese culture which has had the variation in the form and will develop forever to get a more and more profound future.
出处
《苏州教育学院学报》
2008年第1期116-118,共3页
Journal of Suzhou College of Education
关键词
西画
写实
素描
水墨传统
矛盾
Western painting
realistic painting style
sketch
traditional ink and wash
contradiction