摘要
长篇巨制《白门柳》获第四届茅盾文学奖,其以"节奏"艺术为结构指归,把文本情绪结构作为维系本体,追求一种文本情绪内在的完整性,从而超越以情节和故事完整性的僵化结构理念,进而提出"结构即节奏"的主张。《白门柳》的这些努力,对当下长篇小说结构艺术突围,具有重要启示。
To seek for an internal completeness of textual emotions, Bai Men Liu, a novel won the 4th Mao Dun prize for literature, employs the rhythmic art as the structure and the textual emotions as the noumenon of narration, which has transcended the traditional structural concept oi the completeness of plots in novel writing. The opinion of structure being rhythm is of great enlightenment value for the development of structural art in novel writing at present.
出处
《绵阳师范学院学报》
2008年第1期63-67,共5页
Journal of Mianyang Teachers' College
关键词
结构
节奏
文本情绪
长篇历史小说
structure
rhythm
textual emotions
historical novel