“大雅斋”匾的所在地点及其使用探析

The Location and Function of ‘Daya Studio’

本文从宫廷建筑研究入手,通过对现存相关文物的认识,参照清宫档案和文献.结合晚清后妃宫廷生活中对建筑使用状况变化的分析,对"大雅斋"进行了综合研究,对"大雅斋"出现的时间、所在地点、何人所用等疑点进行了考证,并在此基础上对"大雅斋"、"大雅斋"瓷、"天地一家春"之间的关系加以明确阐述。

In the context of research on palace architecture,this article presents a comprehensive study of the Daya Studio plaque by analyzing the changes in architectural function brought about by the late-Qing lives of the empresses and concubines,in the light of surviving antiquities,Qing palace archives and documentary sources.The author attempts to dispel uncertainty regarding the time and date of the Daya Studio,as well as the occupants or the people who used it,and then to establish and explain the relationship between the plaque and porcelain bearing its mark,as well as the plaque reading 'Tiandi yi jia chun' (Heaven and earth form one family in spring).