摘要
《桃花扇》不仅是对儒家仕途经济培养出的清谈无用的士林群体人格的反思,也是对儒家文化的生命力的批判。
This paper argues that The Peach Blossom Fan should be seen as a critique not only of collective personality of the literati but also of the lack of vitality of the Confucian tradition in which they are brought up.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2008年第1期74-78,共5页
Drama:The Journal of the Central Academy of Drama
关键词
《桃花扇》
孔尚任
士人心态
The Peach Blossom Fan, collective personality of the literati
