新时期中国现实题材电视剧的“冲突-解决”模式及其文体升华

'Conflict-Resolution' Pattern in Chinese TV Operas with Realistic Theme in the New Era and Its Style Sublimation

"叙事结局"是虚构性艺术叙事矛盾冲突的解决时刻,是检视审美意识形态的重要"症候",是叙事研究不可或缺的重要环节。新时期中国现实题材电视的"冲突—解决"模式可以分为"秩序型"和"交会型"两大范型。秩序型的"冲突—解决"模式具有两种鲜明的审美意识形态内涵:"历史必胜"的现代性价值取向;"仪式"的固化与象征。交会型的"冲突—解决"模式可进一步分为"平行交会型"和"垂直交会型"两种表现形态。它们往往交织、重叠在一起。

An inseparable part of narrative studies, ＇narrative ending＇ is both the great moment when conflicts are to be solved and a significant symptom for the examination of aesthetic ideology in fictional literature. The ＇conflict-resolution＇ pattern in the Chinese TV operas with realistic theme in the new era can be subcategorized into two types： The Chronological Type and The Overlapping Type. The ＇conflictresolution＇ pattern of the Chronological Type possesses two distinctive connotations in aesthetic ideology： the value preference that ＇history triumphs~ , and the solidification and symbolization of ＇ceremony＇. As to the ‘conflict-resolution＇ pattern of the Overlapping Type, it can be subdivided into Parallel Overlapping and Vertical Overlapping, both of which are always interweaving and overlapping with each other.