期刊文献+

略论荒诞审美范畴 被引量:2

Discussing the Incredible Esthetic Category
下载PDF
导出
摘要 随着社会历史的发展,传统的美学范畴也相应地产生了变化,最明显的就是出现了荒诞。荒诞审美范畴在自身的逻辑演变和历史的发展相统一的过程中逐渐成形,并经由艺术形式、表现手法到文艺思潮最后上升为审美范畴。荒诞的审美范畴有自身独特审美品格特性,一方面非理性的内容,表现出的以恶心、孤独、焦虑为核心的现代情感构成了其内在的美学意蕴;另一方面,其以反形式、反美学、反艺术的现代审美特性丰富了荒诞范畴的精神特质。 Along with the social history development, the traditional esthetics category correspondingly has also had the change ,most obvious appeared incredible. The incredible esthetic category unifies in own logical evolution and the historical development in the process forms trend of literary and aritstic thought final rise i gradualy, and by way of the artistic form, the expression means to the s the esthetic category. The incredible esthetic category has own unique esthetic moral character characteristic, on the one hand the non-rational content, displayed disgusting take, lonely ,anxious constituted its intrinsic esthetics implication as the core modem emotion ; On the other hand, it by the counter-form,the counter-esthetics, the anti-art modem esthetic characteristic has enriched the incredible category energetic special characteristic.
作者 张吉洋
机构地区 扬州大学文学院
出处 《河北理工大学学报(社会科学版)》 2008年第2期195-198,共4页 Journal of Hebei Polytechnic University:Social Science Edition
关键词 荒诞 非理性本质 反美学形式 incredible non-rational essence counter-esthetics form
  • 相关文献

参考文献3

  • 1[2]陈孝英主编.《喜剧理论在当代世界》[M].新疆:新疆人民出版社,1989.
  • 2[6]转引朱虹.《英美文学散论》[M].北京:三联书店,1984.
  • 3何成洲.贝克特的“元戏剧”研究[J].当代外国文学,2004,25(3):80-85. 被引量:21

二级参考文献17

  • 1William H. Gass, Fiction and Figures of Life,New York: Alfred A. Knopf, 1970, p. 25. Alsosee Patricia Waugh, Metafiction: The Theory and Practice of Selfconscious Fiction, London and NewYork : Routledge, p. 2.
  • 2Lionel Abel, Metatheatre. A New View of Dramatic Form, New York: Hill and Wang, 1963, p. 60,p. 60,pp. 83-85, p. 61.
  • 3Richard Hornby, Drama, Metadrama and Theatre, London : Associate University Press,1986, p. 32, p. 32, p. 45, p. 32, p. 104, p.117.
  • 4Michael Worton, " Waiting for Godot and Endgame: theatre as text", The Cambridge Companion to Beckett, Shanghai Foreign Language Education Press, 2000. pp. 67 -87.
  • 5Paul Lawley,"Stages of identity: from Krapp's Last Tape to Play", The Cambridge Companion to Beckett,pp. 88 - 105.
  • 6Harold Bloom, The Western Canon, Riverhead Books, 1994, p. 466.
  • 7Martin Esslin, The Theatre of the Absurd, Penguin Books, 1980, p.46, p. 74.
  • 8Samuel Beckett, Endgame, New York: Grove Press, 1958.
  • 9Patricia Wangh, Metafiction, p. 2, p. 2, p.29.
  • 10Susan Sontag, Against Interpretation : And Other Essays,Picador, 2001, p. 133.

共引文献20

同被引文献3

引证文献2

二级引证文献3

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部