调性模糊材料与调性展开

The Tonality-vague Materials and the Unfolding of Tonality in the Music

无调性音乐的制作者竭力回避自然音关系的做法非常深刻地反证了自然体系就是调性音乐赖以生存的土壤。要摆脱调性的控制首先得摆脱自然音体系。在摆脱自然音体系的音乐实践过程中,由远关系音级构成的各种减和弦、增和弦等调性模糊材料扮演了最重要的角色。

The fact that the musician composing an atonal music tries his/her best to avoid the relations of natural sounds proves in depth that the natural system is the context in which tonal music exists. To avoid the control of tonality, it is imperative to get rid of the system of natural sounds. In the process of musical practice of getting rid of the system of natural sounds, the various tonality-vague materials such as decreased chords and increased chords formed by distantly-related sound levels play the most important role.