空间中的“政治”——“土改小说”再解读

"Novels of Land Reform" Reinterpreted

在20世纪四五十年代的中国大地上,中国共产党领导农民进行了一场轰轰烈烈的土地改革运动,对中国社会的发展产生了深远的影响。而这一时期的许多文学家以其特有的敏感和直觉,不仅以现实主义手法记录和描绘了当时的情况,还从多个层面触摸到了"历史"的蕴意,以"多声部"和"画外音"的方式表现了土改的复杂性。在以丁玲、周立波、赵树理、马加等人创作的反映这场土地改革运动的经典文本,如《太阳照在桑干河上》、《暴风骤雨》、《江山村十日》等小说中,出现了富有政治意识形态色彩的空间变化。论文试图以"空间"为视角,从一个侧面对这一时期的土改小说进行再解读。

In the 1940s and the 1950s, China witnessed a dynamic land reform with active participation from peasants under the leadership of the Chinese Communist Party, which has exerted a far-reaching impact on the development of Chinese society. With their unique sensitivity and instinct, writers of that period not only recorded and pictured in a realistic manner the then circumstances but also touched upon the ＂historical＂ implication at various levels as well as illustrated the complexity of land reform by means of ＂polyphonic＂ and ＂offscreen voice＂ novels. In the classic texts portraying the land reform penned by Ding Ling, Zhou Libo, Zhao Shuli, Ma Jia, etc, such as The Sun Shines on the Sangan River, The Tempest and Ten Days in Jiangshan Village and so on, there emerged spatial changes with political colorings. This paper attempts to reinterpret the then land reform novels from the perspective of ＂space＂.