摘要
蒲松龄与齐鲁诗坛的诗人交往很多,但很少受他们的影响,他认为写诗是"风雅"之事。蒲松龄的诗歌继承了中国诗歌的叙事传统,但现实主义精神过强,自我形象很突出,与当时风行的"神韵说"背道而驰,却契合了"神韵说"的反对者赵执信的诗论。王士禛并不奖掖蒲松龄,赵执信与蒲松龄也没有交往。蒲诗远离了齐鲁诗坛,以极强的现实关怀消解了《聊斋志异》的浪漫抒情。
Pu Songling had a close contact with Qi I.,u poets, whereas, he had rarely been influenced by them. Pu Songling believed that poetry writing was an elegant issue. His poetry inherited the narrative tradition of Chinese poetry with strong modernism and self image, which was against the popular “theory of verve” but in accordance with poetic view held by Zhao Zhixin. Pu Songling had never received encouragement from Wang Shizhen and had no contact with Zhao Zhixin. He put himself far away from Qi I.,u poetry circle and resolved his romantic spirit in the Strange Tales from a Lonely Studio with his realistic concern.
出处
《殷都学刊》
2007年第4期112-117,共6页
Yindu Journal
关键词
蒲松龄
齐鲁诗坛
诗学观
叙事传统
Pu Songling
Qi Lu poetry circle
poetic view
narrative tradition